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Dryden39s an essay on dramatic poesy

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Dryden’s Essay of Dramatic Poesy

Dryden39s an essay on dramatic poesy
Dryden39s an essay on dramatic poesy
Dryden39s an essay on dramatic poesy
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Ravi Bhaliya's Assignment: Discuss John Dryden’s Essay on Dramatic Poesy

He had written, collaborated on, or adapted some seven plays in various genres, including comedy, tragicomedy, and heroic. Inevitably, he had become embroiled in the controversies that arose after the Restoration. The Essay was written while Dryden was out of London in flight from the plague. Both works have in common the contemporary drama of the sea battles against the Dutch, providing an epic canvas and subject for the poem, and a backdrop and extended metaphor of international conflict for the essay. Foreign slanders provoke indignant counterblasts, and, in the following year, Thomas Sprat, the historian of the Royal Society, published his Observations on M. At about the same time, Dryden was involved in a debate on the question of rhyme with his brother-in-law and collaborator, Sir Robert Howard soon to become the Crites of the Essay.
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The powerful and popular rivals like Thomas Shadwell and Richard Flecknoe and the swift changes in the authority of literature, religion and politics pressured Dryden to produce a bunch of literary works that were solely to express his support to either of the groups. An Essay on Dramatic Poesy is a work where he, by using a dialogue device modelled on the ancient masters, brings various critical arguments of his contemporary England regarding dramatic poetry. A seemingly desperate and embarrassing justification of English theatre by Dryden through his alter ego as a fine English man called Neander indicates a period in the British history where not only creating poetry was important but also the marketing of culture and fashioning of new idioms of art. Crites : He represents Sir Robert Howard. He is a person of sharp judgement.
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John Dryden was an English poet, playwright, and literary critic. Dryden's characters, in a kind of Platonic dialogue, discuss the methods of playwrights both ancient and modern. Through this dialogue a preference for the achievements of the British emerges. Crites, a little while considering upon this demand, told Eugenius he approved his propositions and, if he pleased, he would limit their dispute to dramatic poesy; in which he thought it not difficult to prove either that the Ancients were superior to the Moderns, or the last age to this of ours. Eugenius was somewhat surprised when he heard Crites make choice of that subject.
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